{"id":2141,"date":"2026-04-04T09:43:34","date_gmt":"2026-04-04T09:43:34","guid":{"rendered":"https:\/\/binus.ac.id\/malang\/dkv\/?p=2141"},"modified":"2026-04-08T09:47:29","modified_gmt":"2026-04-08T09:47:29","slug":"the-printing-revolution","status":"publish","type":"post","link":"https:\/\/binus.ac.id\/malang\/dkv\/2026\/04\/04\/the-printing-revolution\/","title":{"rendered":"THE PRINTING REVOLUTION"},"content":{"rendered":"<p class=\"p1\" style=\"text-align: center\"><strong>THE PRINTING REVOLUTION<\/strong><\/p>\n<p class=\"p2\">How the Renaissance Transformed Graphic Design Background Renaissance berarti &#8220;kelahiran kembali&#8221; , menandai transisi dari era Medieval ke Modern. Revolusi cetak mendorong penyebaran ilmu pengetahuan dan perkembangan literasi. Peran humanis Italia dalam memperbarui desain buku dan tipografi.<\/p>\n<p class=\"p3\"><strong><span class=\"s1\">Munculnya Percetakan <\/span>(1400s &#8211; 1500s)<\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-2142 aligncenter\" src=\"http:\/\/binus.ac.id\/malang\/dkv\/wp-content\/uploads\/sites\/9\/2026\/04\/vwe-300x178.jpg\" alt=\"\" width=\"300\" height=\"178\" srcset=\"https:\/\/binus.ac.id\/malang\/dkv\/wp-content\/uploads\/sites\/9\/2026\/04\/vwe-300x178.jpg 300w, https:\/\/binus.ac.id\/malang\/dkv\/wp-content\/uploads\/sites\/9\/2026\/04\/vwe-768x455.jpg 768w, https:\/\/binus.ac.id\/malang\/dkv\/wp-content\/uploads\/sites\/9\/2026\/04\/vwe-480x285.jpg 480w, https:\/\/binus.ac.id\/malang\/dkv\/wp-content\/uploads\/sites\/9\/2026\/04\/vwe.jpg 906w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p class=\"p3\">Johann Gutenberg menciptakan movable type printing (~1450), memungkinkan produksi buku massal. Buku cetakan pertama: Gutenberg Bible (1455).<\/p>\n<p class=\"p4\">Nicolas Jenson mengembangkan Roman Type (1470), dasar tipografi modern. Aldus Manutius mendirikan Aldine Press, menciptakan Italic Type (1495) dan format octavo untuk buku yang lebih portabel.<\/p>\n<p class=\"p3\"><strong><span class=\"s1\">Era Keemasan Tipografi <\/span>(1500s &#8211; 1600s)<\/strong><\/p>\n<p class=\"p4\">Claude Garamond memperkenalkan Garamond Type (1530-an), tetap<\/p>\n<p class=\"p4\">digunakan hingga kini. Christophe Plantin mendirikan Plantin Press (1555), salah satu percetakan terbesar di Eropa. Desain buku semakin berkembang dengan border dekoratif, ilustrasi detail, dan grid layout dalam tata letak halaman.<\/p>\n<p class=\"p6\"><strong>Dampak &amp; Warisan<\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-2143 aligncenter\" src=\"http:\/\/binus.ac.id\/malang\/dkv\/wp-content\/uploads\/sites\/9\/2026\/04\/efwf-202x300.jpg\" alt=\"\" width=\"202\" height=\"300\" srcset=\"https:\/\/binus.ac.id\/malang\/dkv\/wp-content\/uploads\/sites\/9\/2026\/04\/efwf-202x300.jpg 202w, https:\/\/binus.ac.id\/malang\/dkv\/wp-content\/uploads\/sites\/9\/2026\/04\/efwf.jpg 366w\" sizes=\"auto, (max-width: 202px) 100vw, 202px\" \/><\/p>\n<p class=\"p4\">Meningkatkan aksesibilitas buku mempercepat pertumbuhan literasi global. Movable type menjadi dasar bagi industri percetakan modern. Grid layout dan ilustrasi dekoratif masih digunakan dalam desain buku kontemporer. Tipografi Renaissance seperti Roman, Italic, dan Garamond tetap relevan hingga sekarang.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>THE PRINTING REVOLUTION How the Renaissance Transformed Graphic Design Background Renaissance berarti &#8220;kelahiran kembali&#8221; , menandai transisi dari era Medieval ke Modern. Revolusi cetak mendorong penyebaran ilmu pengetahuan dan perkembangan literasi. Peran humanis Italia dalam memperbarui desain buku dan tipografi. Munculnya Percetakan (1400s &#8211; 1500s) Johann Gutenberg menciptakan movable type printing (~1450), memungkinkan produksi buku [&hellip;]<\/p>\n","protected":false},"author":47,"featured_media":2144,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-2141","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articles"],"_links":{"self":[{"href":"https:\/\/binus.ac.id\/malang\/dkv\/wp-json\/wp\/v2\/posts\/2141","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/binus.ac.id\/malang\/dkv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/binus.ac.id\/malang\/dkv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/binus.ac.id\/malang\/dkv\/wp-json\/wp\/v2\/users\/47"}],"replies":[{"embeddable":true,"href":"https:\/\/binus.ac.id\/malang\/dkv\/wp-json\/wp\/v2\/comments?post=2141"}],"version-history":[{"count":1,"href":"https:\/\/binus.ac.id\/malang\/dkv\/wp-json\/wp\/v2\/posts\/2141\/revisions"}],"predecessor-version":[{"id":2145,"href":"https:\/\/binus.ac.id\/malang\/dkv\/wp-json\/wp\/v2\/posts\/2141\/revisions\/2145"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/binus.ac.id\/malang\/dkv\/wp-json\/wp\/v2\/media\/2144"}],"wp:attachment":[{"href":"https:\/\/binus.ac.id\/malang\/dkv\/wp-json\/wp\/v2\/media?parent=2141"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/binus.ac.id\/malang\/dkv\/wp-json\/wp\/v2\/categories?post=2141"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/binus.ac.id\/malang\/dkv\/wp-json\/wp\/v2\/tags?post=2141"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}